BLACKMAGIC ATEM MINI EXTREME
Designed for powerful SDI switchers, Blackmagic Studio Camera 4K Pro G2 adds professional 12G‑SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost.
While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings.
The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.
Large broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design.
It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup.
In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night. The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor.
The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.
Amazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras.
The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160.
The large 7" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models feature an HDR display with extremely high brightness, perfect outdoors in sunlight!
On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!
Blackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away!
The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers.
This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.
Unlike consumer cameras, the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot, at the same time! The talkback connector is built into the side of the camera and supports standard 5 pin XLR broadcast headsets.
Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!
Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB-C expansion ports.
The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs.
The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.
All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input.
The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.
The Blackmagic Studio Camera 4K Pro G2 supports connecting cameras via a single Ethernet cable. It’s so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive.
Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera!
Now you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data.
The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera!
The Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying.
You can even plug in optional focus and zoom demands to allow full lens control. Plus the USB port will power any phone or disk that’s plugged in.
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever.
Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline.
Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!
|Objektiv mount||MFT (Micro Four Third)|
|ISO Indstilling||100 - 25.600 ISO (dual native iso 400 / 3200)|
|Sensor størrelse||Micro Four Third|
|LCD strørrelse||7 "|
|Videoopløsning||3840 x 2160 (Ultra HD) up to 60fps|
|Videoformat||Blackmagic RAW Constant Bitrate 3:1 Blackmagic RAW Constant Bitrate 5:1 Blackmagic RAW Constant Bitrate 8:1 Blackmagic RAW Constant Bitrate 12:1 Blackmagic RAW Constant Quality Q0 Blackmagic RAW Constant Quality Q1 Blackmagic RAW Constant Quality Q3 Blackmagic RAW Constant Quality Q5|
|USB indgang||USB-C (3.1)|
|Frame Rate||23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.94 / 60|